Ellen Austin-Li

poet and writer
Ellen Austin-Li
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  • Category: poetry

    • When Art Delivers Forgiveness

      Posted at 1:41 pm by Ellen Austin-Li, on March 20, 2021
      Adonis
      
      Maybe I didn’t really want to find you
      or I would have hugged closer to where it culminated
      forty-one years ago this past May in a crash
      on the way to Green Lakes      your home    of course it was 
      since the water in those rare lakes
      is the same turquoise as your eyes      like some god
      had poured the overflow of them into you
      I’ve been wanting to tell you 
      how sorry I’ve been for that night      I was behind
      the wheel when I couldn’t even navigate 
      a sentence    I remember it was our first evening out
      as ex-lovers but I knew I was in trouble
      the moment I saw you step out of your house
      and walk towards the Valiant        the sun hung low
      enough to catch your hair and spin it gold
      and ignite those eyes in the hottest blue flames
      and the great span of your shoulders stretched 
      beneath a white button-down shirt    you burned
      like Adonis come to call and there 
      was only one way I could answer     
      I ordered beer after beer at the bar 
      and I don’t know what happened next
      except my head hit the steering wheel so hard
      I didn’t open my eyes for three more days
      
                what the sight of you did to me    
                       
      I opened my email four decades later 
      and there you were       you said I suddenly hummed inside
      so you opened the internet and I spilled out
      you read the poems in my book      lines about you  
      I made the mistake of telling my mother     
      who at 92 recalled your name 
      as if it was back then with her accusing me
      of kissing you    our joined images   in the kitchen
      reflected on the polished wood door
      like it was something dirty she saw
      she never liked us together    she sensed
      our heat    how our hands always touched 
      each other’s bodies     one day
      she called me back into the house
      when my leg draped over yours
      while we sat on the front walk    love
      filthy love   desire and shame stained 
      in a way only buckets of booze could scrub clean 
      and this left you broken on the side of the road
      you said I don’t owe you amends      it’s enough 
      that no one died      now I see us 
      sitting on a tree trunk fallen by the shore
      our feet dangling in the cool green as we watch 
      our ripples meet on the surface.
      
      -published in Literary Accents, Vol.1, Issue 4, 2021
      
      

      When Art Delivers Forgiveness

      The most I’ve ever wanted from my poetry is to create empathy. Whether it’s by composing an image a reader recognizes or by witnessing human interactions, I wish to convey the truth that elevates the human experience. The best possible outcome is to stir a connection with a reader, to allow them to reflect on their own lives in every context, to see something of themselves, or gain an appreciation for another. 

      With my first poetry collection, Firefly, I wanted to witness my own experience with alcoholism and addiction as a way to tell others who suffer that recovery is possible. But, underneath that, I tried to tell my story to create empathy in the larger world for alcoholics and addicts. I thought if I could capture some of the nuances of living with this shadow—the crippling self-doubt, the denial, the shame—perhaps I could open a space for those unafflicted to begin to understand this often misunderstood disease.  

      Never (“in a million years,” as we used to say) did I expect to hear from someone I had gravely injured during my drinking days. The poem I posted tells the story better than my prose can recount because, for me, the difficult-to-capture emotion shimmers between the lines with poetry. I don’t know if my first poetry collection accomplished my grand dual goals of creating hope and empathy for fellow alcoholics and addicts. If I only reached one, then baring my soul was worth it. But, I do know that publishing Firefly gave me something I never thought possible: forgiveness. 

      I don’t think I was fully aware of the shadow I had internalized and carried around for over forty years until I heard from the person I had harmed. I still struggle with the damage I have done. In recovery, we hear, “we do not regret the past nor wish to shut the door on it.” Intellectually, I know this concept concerns using our past experiences to help other people, but it can be challenging to embrace, especially when you have caused lasting bodily injury to someone else. The old part of me still says I don’t deserve forgiveness. I’ve been carrying this shadow for so long—I don’t know how to let it go. But, it doesn’t feel as heavy now that I’ve taken the shadow out into the light—art, specifically, poetry, allowed me to do that. I’m forever grateful to the generous soul who granted me forgiveness, so I can perhaps learn to forgive myself. Thank you. You know who you are. 

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      Posted in alcoholism/addiction, poetry, publishing, recovery | 0 Comments
    • Should I Stay or Should I Go?

      Posted at 4:13 pm by Ellen Austin-Li, on December 21, 2020
      Dingle Peninsula, Republic of Ireland, 2019
      Smoke 
      
      All I want is a tiny cottage
      on the Dingle Peninsula. I could live 
      in peace on this windswept green. 
      America doesn’t own me anymore. 
      I’d rather fly to family via Aer Lingus than drive 
      up Ohio, across Pennsylvania, to New York. 
      I’m done passing the billboards
      on 71N in Ohio, the Ten Commandments
      split between two canvases alongside
      the barn, the Confederate flag painted
      on its roof. I don’t wish to be reminded
      by the sign on the trip back that “Hell Is Real.” 
      Hell, yeah, it’s real. America is aflame.
      With each wildfire season, the West 
      gets torched, fueled by the superheat 
      of our heedless need. Cities are coals of unrest, 
      Black sons & daughters gunned-down as if prey.
      Give me the Wild Atlantic Way,
      Ireland’s west coast instead. Let me puzzle
      the Gaelic posted above the English,
      let me turn into a pebbled drive 
      beside my pastel-painted home, let the hearth
      be spirited with peat. Near the coast, 
      standing stones frame a doorway 
      the ancients believed you pass through 
      into another world. My ancestors fled 
      Ireland because they were starving, I hunger
      for this place to belong. 
      
      - published Nov. 27th, 2020, by Indolent Books in "Transitions: Poems in the Afterglow."
      https://www.indolentbooks.com/transition-poems-in-the-afterglow-11-27-20-ellen-austin-li/?fbclid=IwAR1VGkrMCTlm7qhPxaG2lX4d0ZUSlrBBvLKzmwQ5mOyS6fAhzZ6H_hQrMbA
      

      To say 2020 has been a challenging year for us all is an understatement. No real news there. For many of us, the state of our socio-political landscape only adds to the stress of trying to navigate the pandemic. For me, feelings of hopelessness and simply being discouraged by the level of willing complicity in perpetuating systemic racism, coupled with an unwillingness to commit to behavioral changes that would meaningfully address climate change, create a tipping point. I know I am not alone in feeling overwhelmed. As a poet, I believe bearing witness to these fraught times plays a dual role, both as an encapsulation of this time and as a balm for myself and others. It’s important to know we are not alone, maybe even more so while the pandemic separates us. 

      A year ago this past May, I made my first trip to Ireland—the land of my ancestors (most of them, anyway). The physical beauty of this island—its vibrant greens riven with rough-hewn stone walls, its dramatic shorelines, especially on the West Coast along the Atlantic—drew me in. Even more magnetic were the stories associated with the ancient sites: the ring forts, the standing stones, the dolmens, the fairy forests. The other-worldliness felt familiar, as if I had participated in these stories before. I left Ireland reluctantly, feeling as if I had finally made it home. That feeling may just be the fanciful writer in me, but it stayed inside. I’m still writing about that trip today.

      It seems inevitable that Ireland would be the place I turned to (in this poem) when I felt so overwhelmed after the November election. The trauma over the past four years, culminating in this deadly pandemic’s gross mismanagement, which has unnecessarily cost far too many lives, and so many of my fellow Americans voted for the same leader? I don’t recognize my country anymore. Forgive me if our politics diverge, but even if they do, how can any of us believe that the murder of George Floyd (and so many more Black Americans) is not a call for a major change? And how can any of us choose to support climate change deniers when the evidence becomes more urgent every day? 

      I know that my home is here, in America, and that this is where I need to stay if I want to be part of the solution. But, sometimes, it helps to fantasize that I can run away to a place where I can live a simpler life, a place that offers more peace. In the short term, such psychic escape holds great allure. Dreaming of departure is a way to cope, maybe even express this anger that has nowhere else to go (save a poem). Putting the words down, articulating at least some of the frustration, offers relief. But naming the issues, ironically, reveals that I know what must be done. Awareness of the problem(s) is always the first step. The next one? What actions can I take to be part of the solution? 

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      Posted in poetry, writing | 2 Comments | Tagged cilmate change, Ireland, November election, racial justice
    • Old Friends and Rare Places

      Posted at 4:37 pm by Ellen Austin-Li, on September 24, 2019
      Rendezvous at Round Lake

      Carved by an ancient glacier,
      its meromictic waters do not mix—
      this is the place we go
      where layers of sediment stratify in ribbons.

      Meromictic waters do not mix;
      within my childhood home, chilled
      layers of sediment remain stratified in ribbons,
      blue-green fingers stretch across the surface.

      When I am chilled inside my childhood home,
      I call for my golden friend,
      fingers stretch across the blue-green surface,
      warmer than my own blood.

      I call my friend of gold
      to the place we go —
      warmer than our blood,
      we are carved ancient as a glacier.

      *Published in Green Briar Review, Winter 2019.

      http://www.greenbriarreview.com/Ellen-Austin-Li---Three-Poems.html

      We should all be so lucky as to have a friend who has known us for most of our lives — the holder of our secrets, the person who understands the way we move in the world. They know our families and our history. I am fortunate to have many friends from different points in my life, including many I have known for a relatively short period of time, but there is something elemental about a lifelong friend. I can still recall the expression we sang in rounds when we were young: “Make new friends, but keep the old, one is silver and the other’s gold.” 

      I remember a scene in a Crocodile Dundee movie from the 1980s. Paul Hogan’s character, the Australian legend nicknamed Crocodile Dundee, shares his views with an American woman on seeing a shrink to discuss one’s problems; where he comes from, he says, “that’s what my mates are for.” While I’m certainly not advocating against therapy (I’ve been seeing a therapist for over twenty years), I count my old friendships as invaluable to my emotional well-being. No one understands what triggers me more than a childhood friend. I catalog my troubles in my mind to share on my next meet-up with my most trusted resource, the friendship of a lifetime.

      A few times a year, I travel home to visit family and friends in Upstate, N.Y.  A long time ago, a tradition developed between one of my dearest friends and me. We walk the path around Green and Round Lakes near where we grew up. There’s something about walking a wooded path alongside pristine water that makes words flow, especially when your companion requires no explanation of your ramblings and doesn’t judge your craziest thoughts. By the time our trek reaches the more secluded Round Lake, we are compelled to pause and look in unison at the still water and the trees reflected on its surface. I know I can speak for both of us when I say this is a moment of reverence — broken only when one of us decides we need yet another “selfie.” 

      Surrounded by old-growth forest, Green and Round Lakes are two of only a few lakes in the world deemed “meromictic,” meaning there is no seasonal mixing of the upper and lower water levels as with other lakes. These glacially-carved lakes are deep and stable: Green Lake is 195 feet deep and Round Lake is 180 feet deep. The unusual features of these lakes create an otherworldly aquamarine color to the water. Growing up in this area, I took this beauty for granted. 

      I know that there were also times that I took my friendships for granted. Many years ago, I received a card that said: “The only way to have a friend is to be one.” It’s worth it to hold these words close and to live by them. Our old friends will be with us long after our parents have gone — they are a rare treasure, deserving careful attention. It seems fitting that Round Lake, a rare place, is the scene of my rendezvous with my old friend. 

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      Posted in poetry, Uncategorized, writing | 0 Comments | Tagged Friendship, GreenLakes, poetry, Walking, writing
    • Hymn for Agnostics

      Posted at 12:41 am by Ellen Austin-Li, on August 25, 2019

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      Posted in alcoholism/addiction, poetry, recovery, writing | 0 Comments | Tagged Agnostics, higher power, prayer
    • Hymn for Agnostics

      Posted at 12:39 am by Ellen Austin-Li, on August 25, 2019
       Hymn

      We must have our own version of a higher power.
      I find mine in the silence of snowflakes
      hushing over a city,
      or a divine moment like entering into fragrant woods
      stippled by sunlight.
      I, too, crave rain,
      when the mist kisses my skin,
      until I feel bathed like a newborn baby.
      I’m a sinner willing
      to be baptized again by a new God,
      tears couched in raindrops.
      Other times, sun’s heat penetrates me,
      cicadas buzz like electric currents in the air,
      energy jolting, or better put, power resurging,
      singing a hymn that I am 
      not a low hum but, 
      oh, so much more luminous
      than I once believed.  

      -inspired by Jeanne Wagner’s “Fanlight” 

      This poem is for people like me, who no longer (or perhaps never did) have an unshakable belief in God. Specifically, the “Capital G” God of organized religion. I was raised Roman Catholic, but my faith was chipped away by religious dogma. I mean no offense to anyone who follows this, or any other, faith tradition. A part of me feels envious of those who live with such certainty. I know that this is the definition of faith, this belief in something unknowable, but I simply do not possess it. Lack of faith presents a problem for those of us who realize that following a spiritual path is our only hope for recovery from a self-centered disease like alcoholism and/or addiction. 

      I find my proof of a higher power, if not a specific God, in the beauty of the natural world. How can we not help but wonder at the mystery we sense when we wander outside? It’s late August, and the tiny green berries on the “Beauty Berry Bush” have begun to turn purple; the invisible hands of its internal clock move mysteriously towards Fall. I recently saw a hummingbird visit the bright red blooms of the lantanas in my flower pots, sipping nectar from dozens of clusters as it hovered, its wings beating so fast they were nearly indistinguishable. The cicadas rip like buzz-saws all day long and then hand the baton to the crickets when the sun sinks. At night, when the crickets chorus so loudly, most of us don’t think to wonder about it at all— but, there must be millions of crickets chirping to generate this cacophony. (And did you know that only the male crickets are able to chirp, all in an effort to woo females?)

      I don’t have to sit in a church pew to know there is spiritual energy in the universe. For me, these small miracles are enough to bring me peace. 

      In the throes of my disease, I felt both worthless and hopeless, but this is no longer the truth. Today, I am free to be present for these moments in the everyday. When I notice the patterns and the beauty in nature, I am aware of the space I occupy — I’m part of this world, no more, no less. This is my hymn — I hope it helps others to find their own.  

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      Posted in alcoholism/addiction, poetry, recovery, writing | 2 Comments | Tagged Agnostics, higher power, prayer, recovery
    • Awakening

      Posted at 6:29 pm by Ellen Austin-Li, on July 27, 2019

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      Posted in alcoholism/addiction, poetry, recovery, writing | 0 Comments | Tagged spiritual awakening, spiritual experience, spirituality
    • On Writing “Wild Hive”

      Posted at 6:49 pm by Ellen Austin-Li, on February 21, 2019
      Wild Hive

      A rumble summoned my husband last Spring
      to rescue a beehive; he found it
      hung like a tongue abuzz with hunger,
      urgent hooligans hunkering around
      a honeyed crux. He clipped the bunched
      cluster, curried the tree branch, and dumped
      it into a hovel.

      He had three hives at the beginning
      of winter, but only the mined line
      survived this time. He thinks

                          there’s something in being wild 
                          that keeps things alive

      *"Wild Hive" was published in Pine Mountain Sand & Gravel, Fall 2018.

      “Wild Hive” is the first poem in my poetry collection, Firefly. This book is an unfolding redemption story, as it paints the picture of my descent into alcoholism and addiction, as well as my struggle to live sober. I hope that “Wild Hive” introduces the reader to the sense of the bewilderment that permeates the mind of an addict. How did I get here? Why am I still alive? If it is my wild nature that helped me survive, what does it mean?

      My husband has been a beekeeper, an apiarist, for several years now. He possesses the mind of a scientist, so he studied all of the latest information on beekeeping; he has become quite the expert on all things related to honeybees. His enthusiasm has infected me as well. I have become as invested in the survival of our hives as he has—well, almost as invested. I’m sure the person who actually does the work of a beekeeper is the one most attached to the outcome.

      Two years ago this Spring, a couple who are good friends of ours called my husband. A swarm of honeybees had gathered in a tree near their home. Swarms occur for reproductive reasons; a queen bee leaves her hive, taking a number of workers with her, to form a new colony. Our friends had learned, probably from my husband, that it’s best to call a beekeeper to come and retrieve a swarm for their own hive collection rather than call an exterminator. With the honeybee population in decline, we need to respond to swarms in a way that protects them. So, off went my husband, garbed in his netted hat, to rescue his first swarm.

      The rescue unfolded just as described in the first stanza of “Wild Hive:” he clipped off the tree branch on which the swarm had clustered, dropped it into a cardboard box, and brought it home. At home, he used his smoker, an aluminum can that bears a striking resemblance to the Tin Man’s oil can in “The Wizard of Oz,” to blow smoke at the bees. The smoke masks the alarm pheromones of the bees, allowing a beekeeper to work around the hive without getting stung; in effect, the smoke stuns the bees into submission. In this way, my husband was able to get the wild bees settled into their new home.

      This “wild hive,” meaning a hive that was not cultivated for sale to beekeepers (yes, there is such a thing), but was instead formed in the wild, thrived. At that point, the wild hive constituted my husband’s third hive; they were safely ensconced in their own set of hive boxes.

      Most hives are lost over the winter months. Several theories have been posited on the causes of colony collapse disorder, such as the widespread use of pesticides, climate change, or mite infestation; most likely, it is a confluence of factors. When springtime arrives, beekeepers assess their losses—my husband has lost most of his hives each winter and needs to begin again with new bees each spring. The springtime following the first winter of the wild hive heralded a big surprise: the only hive of the three that made it through the winter was the rescued hive. Not only had it survived, but it had flourished.

      When my husband reported this news to me, I asked him why he thought the rescued swarm had made it through the winter when his other, more established, hives had not. He shrugged his shoulders and offered this considered response:  “Maybe there’s something about being wild that keeps things alive.”

      This comment resonated deeply with me; it incubated in my mind for several months, almost like the bees themselves, looking for a place to colonize. In a poetry workshop, the words of this poem spilled onto the page fully formed, as if they had been there all along. In this workshop, the facilitator read William Blake’s “The Tyger”—he prompted us to write a poem or an essay using sound in an inventive way. In one of those too-rare moments of poetic inspiration, this poem wrote itself.

      So, why did the words my husband had planted months before worm their way into my subconscious? For me, this message, which appears in the last two lines of ”Wild Hive,” voices what I have often wondered: how is it that I am still alive, given my wild past when I was blackout drinking and using drugs? At 20, I crashed my car while driving drunk into a barn on the side of the road. The accident happened in the middle of the night on a back-country road. We were lucky that another car happened upon us— my ex-boyfriend crawling along the side of the road with a shattered back; me, bleeding internally, pinned behind the steering wheel.  Unfortunately, there were many more years of risky behavior while drinking and using drugs. I did not get sober until over forty more years had passed.

      Why did I survive? It is unknowable, but it is a common question in the human condition. Why does one person live through a series of traumatic events while another dies young, having lived a short, blameless life? “Wild Hive” is not meant to posit an answer to this complex question, but instead reflect the seeming randomness of mortality. During the peaks of my disease, when I was filled with self-loathing, I didn’t want to continue living. I was too entrenched in the hopelessness of addiction to see a way out. I am grateful that I am now sober—on a good day, I see how my experiences may help another to recover. That is the meaning that I attach to my own survival; that is the way I make sense of this question.

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      Posted in alcoholism/addiction, poetry, publishing, recovery, Uncategorized, writing | 0 Comments
    • Author photo by Suz Fleming

    • Publication date May 21st, 2025. Click on image to order from Madville Publishing.
    • Books

      Publication date: August 6th, 2021. Click on image for Finishing Line Press's bookstore

    • Books

      artwork by Elaine Olund @ EEO Design

      Firefly is available for sale at Finishing Line Press or at Amazon.com

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